Single Servings, Nov. 8, 2021
On this week’s Single Servings, SATE plays the fool, Michee Mee gets back to her roots, Alex Lifeson sparks one up, and much more!

By Jason Schneider
In this week’s Single Servings, SATE plays the fool, Michee Mee gets back to her roots, Alex Lifeson sparks one up, and much more!
The Tragically Hip – Not Necessary
Release Date: Nov. 4
Label: Universal Music Canada
With the forthcoming deluxe edition of Road Apples gathering in last summer’s Saskadelphia EP along with other goodies, The Hip has made another video for a previously unreleased circa 1990 meat-and-potatoes rocker. Schitt’s Creek star Emily Hampshire appears as a fugitive bank robber who, after a quick transformation, somehow seemingly manages to get away.
Road Apples Deluxe Pre-Order here
SATE – The Fool
Release Date: Nov. 5
Label: CLK Creative Works
Toronto’s SATE has finally followed up her acclaimed 2016 debut album RedBlack&Blue with The Fool, another suitably raging collection of grungy, blues rockers. The title track displays some more sonic ambition, which should go far in separating her from her more conventional competition.
Stream/Purchase here
Cola – Blank Curtain
Release Date: Nov. 3
Label: Fire Talk / Next Door
Fans of Montreal post-punk outfit Ought got some good news and bad news last week. The band announced its break-up after nine years, but immediately revealed a new project dubbed Cola, featuring members Tim Darcy and Bed Stidworthy, along with U.S. Girls drummer Evan Cartwright. Blank Curtain is a first taste of the new trio’s approach, built around some of Darcy’s familiar jagged guitar lines and beguiling vocals.
Stream/Purchase here
Mike Plume – Shreveport To L.A.
Release Date: Nov. 5
Label: Royalty Records
Edmonton hardcore troubadour Plume has had his touring regime curtailed over the past year, but he’s marking his tentative return to the road with Shreveport To L.A., his first new music since 2020’s Lonesome Stretch Of Highway. This brooding slab of classic alt-country tells the story of a guy on a mission to save his relationship. Can he do it? Listen to find out.
Stream/Purchase here
Michee Mee – Willing & Able (feat. Xentury)
Release Date: Nov. 1
Label: Track And Field Entertainment
The Toronto hip-hop legend came back strong with last year’s Bahdgyal’s Revenge LP, and she’s continuing to attract attention for it with a couple of new videos. Willing & Able finds her in all her fierce glory, demonstrating again how she earned the respect of Chuck D and many other old-school rappers.
Alex Lifeson – Cherry Lopez Lullaby
Release Date: Oct 29
Label: Lerxst Music Inc.
The guitar maestro continues to tease new music without any clear indication of what the final results might be, but for millions of Rush fans, the glimpses of Lifeson’s recent solo activities have stirred a lot of excitement. Cherry Lopez Lullaby is a hazy instrumental combining acoustic work with atmospherics, evidently inspired by one of his favourite marijuana strains.
PIQSIQ – Ascend
Release Date: Nov. 5
Label: Independent
Last year, the visionary throat-singing sister duo PIQSIQ recorded a stunning, audience-free performance at Vancouver’s Christ Church Cathedral. It’s now about to be officially released, with Ascend offering a potent taste of the overall results. Moreover, the location is highly significant, given that their Inuk traditions had been banned by the Catholic church.
Janette King – Found A Way
Release Date: Oct. 31
Label: Hot Tramp Records
If you’re still looking for some post-Halloween chills, Montreal R&B artist King is happy to oblige with the latest video from her album What We Lost. However, it was a friend’s struggle with addiction inspired the song itself. As King says, “it’s about losing a sense of trust with them because they are not being honest about where they’re at and about how their choices affect those that love them.”
Stream/Purchase here
Gold & Youth – Blush
Release Date: Nov. 5
Label: Paper Bag Records
Vancouver’s Gold & Youth are storming back with their new album Dream Baby, the long overdue follow-up to the quartet's 2013 debut Beyond Wilderness. The electro-rock band’s core remains intact, including Louise Burns who, since the release of the first album has established her own successful solo and production career. On Dream Baby, Gold & Youth probe the unconscious mind to explore liberation, maladaptive escapism and everything in between. In the words of bandleader Matthew Lyall, “Is it a positive or a negative that we can kind of delude ourselves? It’s both.”
Stream/Purchase here
David James Allen – Nobody
Release Date: Nov. 5
Label: Garment District Records
Allen has flown under the radar for several years as one of Canada’s more intriguing singer/songwriters. His cinematic approach to Americana sets him apart from many of his peers, as well as the profound connection to nature that shines through in his lyrics. It’s all there in Nobody, a preview of Allen’s album The Architect, out Nov. 19.
Stream/Purchase here
Latest News
THE DAILY
A daily briefing on what matters in the music industry
Ed Sheeran Topples Drake's 8-Week Chart Supremacy
Ed Sheeran’s = debuts at No.
By External Source
Ed Sheeran’s = debuts at No. 1 on the Billboard Canadian Albums chart, achieving the highest album and digital song sales, and on-demand streams for the week and ending Drake’s eight consecutive weeks run at the top of the chart. It is Sheeran’s fourth consecutive album to debut at No. 1.
The remainder of the top five falls one position from last week’s chart, with Drake’s Certified Lover Boy, Lil Nas X’s Montero, Doja Cat’s Planet Her and The Kid Laroi’s F*ck Love sitting at Nos. 2 through 5.
Francophone rapper Enima debuts at No.15 with Resilience, his highest-charted album to date. His previous top peak was #35 with his 2018 release OPN.
Mastodon’s Hushed and Grim debuts at No. 18, the American metal band’s first release since Emperor Of Sand reached No. 4 in March 2017.
The War On Drugs’ I Don’t Live Here Anymore debuts at No. 33, their first release since A Deeper Understanding peaked at No. 8 in 2017.
Thanks to consumption activity around Halloween for the title cut, Michael Jackson’s Thriller bullets 90-26, the album’s highest chart position in the SoundScan era.
– All data courtesy of SoundScan with additional detail provided by MRC Data's Paul Tuch